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Unique Durations: 6-7
Unique Accidentals: None
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Baroque
Greensleeves to a ground
Markus29200
5:08 Est. Play
Time
120 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flûte
à
bec
Ténor		 Treble 14 0 0 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flûte
à
bec
Ténor		 Treble 14 0 0 6 100%
 
Ciacona
jsidew
3:56 Est. Play
Time
69 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 3 6 7 76%
Bass 7 0 0 7 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 3 6 7 76%
Bass 7 0 0 7 100%
 
Canon Pipe Organ
Classical Music Central
3:46 Est. Play
Time
53 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
8'
Clarinet		 Treble 17 12 0 6 94%
Treble 19 24 2 6 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
8'
Clarinet		 Treble 17 12 0 6 94%
Treble 19 24 2 6 100%
8'
Diapason		 Treble 19 24 2 6 100%
Bass 17 12 0 6 94%
16'
Diapason		 Bass 7 0 0 1 85%
16'
String		 Bass 6 0 0 1 85%
8'
Crescendo		 Treble 14 5 2 5 28%
Bass 14 2 1 4 25%
 
HWV19A3N22 - Rodelinda, "Mio caro bene!"
edward.maurath
5:29 Est. Play
Time
58 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 21 86 6 9 100%
Bass 22 37 5 6 99%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 21 86 6 9 100%
Bass 22 37 5 6 99%
Violoncello Continuo Bass 17 2 1 3 86%
Violins Treble 15 0 2 8 73%
Rodelinda Treble 13 0 3 5 68%
Contrabasses Bass 14 0 0 3 60%
Violincello Continuo Bass 14 0 0 3 60%
Violas 13 0 2 5 55%
Bassoon Continuo Bass 14 0 0 3 15%
Oboe Treble 10 0 0 6 14%
 
Sonata Secunda By Johann Heinrich Schmelzer from the Unarum Fidium collection
adflord
7:04 Est. Play
Time
140 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Basso
Continuo		 Bass 8 0 0 6 100%
Violin Treble 24 0 3 13 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Basso
Continuo		 Bass 8 0 0 6 100%
Violin Treble 24 0 3 13 100%
 
HWV19A1N11 - Bertarido, "Dove sei? Amato bene!"
edward.maurath
3:55 Est. Play
Time
56 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 23 74 5 7 100%
Bass 17 19 2 4 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 23 74 5 7 100%
Bass 17 19 2 4 100%
Violoncello Continuo Bass 16 0 2 4 100%
Bertarido Treble 13 0 2 6 76%
Vln
1		 Treble 14 0 0 7 57%
Contrabass Continuo Bass 11 0 0 4 53%
Viola 10 0 0 4 47%
Vln
2		 Treble 11 0 0 5 47%
 
Handel: Number 6, "Gloria Patri" from "Nisi Dominus," HWV 238
edward.maurath
3:45 Est. Play
Time
56 Measures
1,423Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 13 0 2 6 88%
Treble 11 0 2 7 91%
View all 22 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 13 0 2 6 88%
Treble 11 0 2 7 91%
Soprano Treble 14 0 2 7 89%
Treble 14 0 2 7 80%
Tenor Treble 12 0 1 7 79%
Treble 13 0 1 7 88%
Organ Treble 19 32 3 7 87%
Organ Treble 19 19 2 7 84%
Violin
2		 Treble 12 0 2 6 75%
Treble 16 0 2 7 84%
Continuo Bass 16 0 1 7 77%
Bass 19 0 2 7 81%
Cello Continuo Bass 15 0 1 7 75%
Bass 17 0 2 7 80%
Violone Continuo Bass 15 0 1 7 75%
Bass 17 0 2 7 80%
Violin
1		 Treble 17 0 3 7 80%
Treble 13 0 2 7 68%
Viola Treble 16 0 1 7 79%
Treble 12 0 1 7 70%
Bass Bass 13 0 0 7 68%
Bass 15 0 2 6 73%
 
Frescobaldi: "Canzon quarti toni dopo il post Comune" (1635)
SpaceGuru5
4:41 Est. Play
Time
58 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 19 0 5 9 89%
Bass 18 0 3 9 89%
Bass 11 1 0 7 24%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 19 0 5 9 89%
Bass 18 0 3 9 89%
Bass 11 1 0 7 24%
 
HWV17a2n05y1724 "Se in fiorto ameno prato" from "Giulio Cesare in Egitto"
edward.maurath
6:49 Est. Play
Time
97 Measures
1,535Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 20 0 6 9 85%
Harp Treble 21 27 6 8 84%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 20 0 6 9 85%
Harp Treble 21 27 6 8 84%
Bass 28 68 10 8 84%
Harpsichord Treble 20 48 6 8 84%
Bass 27 51 9 8 84%
Cesare Treble 15 0 6 8 71%
Bassoon Bass 14 7 0 7 60%
Continuo Bass 22 0 6 5 55%
Vln
1		 Treble 16 0 4 8 37%
Celli Bass 16 0 2 5 35%
Kontrebaß Bass 16 0 2 5 35%
Vln
2		 Treble 13 0 0 6 32%
Violas 10 0 0 7 29%
 
"In mano al mio sposo più vago," act 1, "Rodrigo," HWV 5 (1707)
edward.maurath
4:51 Est. Play
Time
69 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 21 16 6 6 88%
Bass 20 27 6 4 77%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 21 16 6 6 88%
Bass 20 27 6 4 77%
Harp (Continuo) Treble 21 16 6 6 88%
Bass 20 27 6 4 77%
Violoncello (Continuo) Bass 17 0 4 4 80%
Esilena 15 0 4 7 76%
Violins
1		 Treble 16 0 0 6 68%
Violins
2		 Treble 12 0 0 5 68%
Contrabass (Continuo) Bass 12 0 0 4 51%
Contrabasses (Continuo) Bass 12 0 0 4 51%
Violoncellos (Continuo) Bass 12 0 0 4 51%
 
"Cara speme" from "Giulio Cesare in Egitto," HWV 17, (1724)
edward.maurath
3:29 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 29 5 6 100%
Bass 23 32 5 7 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 29 5 6 100%
Bass 23 32 5 7 100%
Harp Continuo Treble 22 28 5 7 100%
Bass 23 34 5 7 100%
Violoncello Continuo Bass 20 0 4 7 100%
Sesto Treble 14 0 3 8 83%
Contrabassi Continuo Bass 9 0 0 4 8%
Violini Treble 9 0 0 6 8%
Violoncelli Continuo Bass 9 0 0 4 8%
 
HWV56N53 - Worthy is the Lamb that was slain
edward.maurath
7:46 Est. Play
Time
162 Measures
3,494Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 101 8 6 84%
Bass 26 40 6 6 92%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 101 8 6 84%
Bass 26 40 6 6 92%
Cello Bass 24 0 6 6 91%
Contrabass Bass 24 0 6 5 91%
Bass Bass 15 0 4 6 84%
Violin
I		 Treble 25 0 6 7 83%
Violin
II		 Treble 22 0 5 6 81%
Alto 15 0 3 6 81%
Tenor 18 0 6 6 81%
Soprano 16 0 4 6 76%
Viola 20 0 5 6 76%
Trumpet
I		 Treble 12 0 1 6 37%
Trumpet
II		 Treble 9 0 0 6 37%
Timpani Bass 2 0 0 5 33%